Joint Hearing of the Committee on Homeland Security and Governmental Affairs of the U.S. Senate and the Committee on Veterans’ Affairs of the U.S. House of Representatives at 1:00 p.m. CDT.
The House Committee on Veterans’ Affairs’ historic legacy is captured in the Committee’s hearing rooms in the Cannon House Office Building, Rooms 334 and 340. The Committee has been formerly known by many names including the Committee on Naval Affairs and the Committee on World War Veterans’ Affairs. After the Legislative Reorganization Act of 1946, the Committee became formally known as the House Committee on Veterans’ Affairs. Even though the Committee’s name has changed over the years, its mission has remained constant – to represent America’s veterans, their families, and survivors.
The House Committee on Veterans’ Affairs’ main hearing room, Room 334, was built in the Beaux-Arts style, with a dome ceiling, designed by the New York architecture firm Carrère and Hastings. The room provides a view of the Capitol. Behind the dais stand 21 flags representing congressionally chartered Veterans Service Organizations with which the Committee works closely. The flags provide visitors with a physical representation of the veterans who have directly impacted the work of the Committee. The Committee’s hearing rooms represent the voice of the veterans on Capitol Hill.
The Committee’s hearing rooms also contain original artwork. In Room 334, portraits of the Committee Chairmen Robert Stump, Herbert Ray Roberts, and G.V. “Sonny” Montgomery hang.
In 1976, artist Robert Williams painted World War II and Korean War Navy veteran Chairman Herbert Ray Roberts to celebrate his tenure as Chairman from 1975-1981. In 1982, the VFW Post 1830 presented the portrait of the “Montgomery G.I. Bill” author, 1981-1994 Chairman G.V. “Sonny” Montgomery, painted by Thomas Nielsen. Chairman Montgomery also served in the U.S. Army during World War II and the Korean War. On November 10, 2005, President George W. Bush awarded Montgomery the Presidential Medal of Freedom, the highest American civilian honor. In 1999, artist Michael Del Priore painted Chairman Stump’s portrait to commemorate the six years the U.S. Navy veteran served as Chairman from 1995-2001.
Room 334 also contains a statue of Audie L. Murphy with a gold placard, which reads, “America’s Most Decorated Citizen Soldier, WWII 1924-71.” In addition, a grandfather clock was presented to the Committee in 1967 by the members from the Veterans Administration Domiciliary from White City, Oregon, and stands in the room.
In Room 340 hang the portraits of Chairmen Edith Nourse Rogers, John Rankin, Olin Teague, and William J.B. Dorn. In 1950, Chandler Christy painted Chairman Rogers, the first female and first Chairman of the current Committee, who served from 1947-1948 and again in 1953. Margaret Brisbane’s 1939 portrait of Chairman John Rankin, chair of the Committee from 1949-1952 is also in Room 340. A portrait of Chairman Olin Teague, painted by Ralph Chase in 1962, represents his chairmanship of 1955-1972. Teague was a highly decorated World War II veteran, and is buried in Arlington National Cemetery. The last portrait in the room is that of World War II veteran and 1973-1974 Chairman, William J.B. Dorn painted by Robert Williams in 1974.
Room 340 has been the home of veterans’ hearings since 1920. In 1967, Room 334 became the Committee’s main hearing room. Both rooms contain the Committee’s library with the oldest document dating back to the 67th Congress (circa 1920), The House Committee on Military Affairs Hearings. The Committee’s library contains Committee hearings, printed bills, and the Committee rules. The library also holds other materials pertaining to the history of veterans’ legislation of the United States.
A new feature in Room 334 is the POW/MIA chair, which sits in the front row of the room. On March 26, 2012, the House Committee on Veterans’ Affairs Chairman Jeff Miller unveiled the empty chair draped with the official POW/MIA flag to honor America’s Prisoners of War and those Missing in Action.
In 1970, the National League of Families of American Prisoners and Missing in Southeast Asia contracted Norman Rivkees, Vice President of Annin & Company, and Newt Heisley, former World War II pilot, to design a flag as a symbol for America’s POW/MIAs. The flag is a black and white silhouette of a man, a strand of barbed wire, and a watchtower.
Roughly 19 years after the flag’s inception, the POW/MIA flag was installed in the U.S. Capitol Rotunda mandated by legislation passed by the 100th Congress. The POW/MIA flag is the only flag ever displayed in the Rotunda. On August 10, 1990, the 101st Congress passed U.S. Public Law 101-355, which officially recognized the POW/MIA flag and designated it “as the symbol of our Nation’s concern and commitment to resolving as fully as possible the fates of Americans still prisoner, missing and unaccounted for in Southeast Asia, thus ending the uncertainty for their families and the Nation.”
As of March 2012, the Department of Defense lists 83,000 Americans missing or unaccounted since World War II. The League remains committed to return all U.S. prisoners and the Committee’s Chair is representative of that hope.
Sources: the Curator of the House of Representatives, the Office of Art and Archives, Office of the Clerk, House of Representatives, CRS: "History of House Committees Consdiering Veterans' Legislation," U.S. House of Representatives Office of the Historian, and the National League of Families of American Prisoners and Missing in Southeast Asia.